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  THE TOWN PAPER
VOL. 5, NO. 2 -- SPRING 2003
 

Use Your Feet: The Art of Walking



Walking is a central experience in new urban communities. Whether a five-minute walk to the corner store, a quick jaunt to the transit stop, or a leisurely stroll for a teenager to a friend's house, walking is incorporated into every successful urban and new urban place. Several diverse communities are literally using the ground we walk on as a canvas for public art projects. These sidewalk medallions, manhole covers and pavement inserts engage us in our walking environment to provide delight and whimsy, reinforce the special identity of a place, and reflect the many layers of our urban experience.

In downtown Milwaukee, Wis., bronze medallions embedded in the sidewalks provide markers and an urban pathway for walkers along the riverfront. Completed with a percent for art program in the mid-1990s and administered through the riverfront redevelopment agency and public art board, the medallions feature children's drawings cast in bronze. Students at a local school completed drawings that reflect the children's interpretations of the river in their city. A local artist cast the drawings into the bronze medallions that were then installed into the sidewalk pavement. The medallions, which can be followed along the majority of the riverfront, are a simple and fun way to increase the audience for art. In the case of Milwaukee, the success of the medallions and the success of the riverfront revitalization have led to additional, larger-scale public art projects including gateway pieces and temporary art exhibitions held during the summer months.

In Mt. Laurel, Ala., a simple investigation into a custom-designed manhole cover turned into an interesting functional, yet decorative element for the streets and potentially the sidewalks of this new town. Developer Ebsco Realty worked with East Jordan Iron Works to create a custom mold for its manhole covers. For a small additional set-up charge, the foundry cast the covers with the design of the town seal. Used primarily in the streets, the manhole covers have also become decorative items, with some residents making tables out of the covers. While simple in execution, these manhole covers recall the innovative 1970s program in Seattle, Wash., where citizens could personally donate artist-designed elements such as manhole covers, fountains, benches and other items to their urban neighborhood. Naturally, these items help to increase neighborhood identity and promote residents' pride.

Sometimes walking involves waiting -- waiting at a stoplight, waiting for the bus or trolley, or waiting at the transit stop for the train home. In Portland, Ore., along the length of the Westside Light Rail Project, several public art projects take advantage of the captive audience of a passenger waiting for a train. Commissioned through a percent for art program managed by the Westside MAX Art Advisory Committee, many of the integrated public art projects are in, over or under the transit station's platform. Planners and designers like to use site-specific projects to reinforce identify of a place and contribute to the neighborhood's connection to transit. When many of the template-designed elements are repeated throughout a project, artist-designed enhancements create unique remembrances. At the Willow Creek/SW 185th Transit Center, the design team created word puzzles that act as rugs or carpets under the light rail shelters.

Wachovia's new pocket park project, "The Green," features game boards embedded along the brick-paved pathway through the park. Located in downtown Charlotte, N.C., headquarters for the newly merged First Union and Wachovia Banks, the urban park is constructed over a parking garage and integrates ground-floor retail, office and residential development. The public art projects incorporate whimsical and fun interactive games centered on the themes of reading and literature as a complement to Wachovia's corporate commitment to public education and early childhood literacy. Nationally known public artist Carolyn Braaksma designed a hopscotch board with words that change with the addition or deletion of one letter. The games, sometimes riddles or word transformations, challenge the occasional visitor, spark the imagination of children and engage many a walker in the park.